the felt landscape
where skin meets the earth
In a culture shaped by screens and constant stimulation, what becomes of the body? My work explores our relationship to physical presence as technology accelerates around us, and asks what it means to stay rooted in the earth, in natural cycles, and in our own embodied awareness.
As more of life moves into digital space, identity increasingly forms around what we wear, what we own, and how we present ourselves rather than around our shared humanity. I’m interested in what is lost in that shift, and what can be recovered. At its core, my work is about reconnection: a return to the body, to the land, and to direct experience.
I am a multidisciplinary artist working across photography, painting, music, and dance. In photography, I work with film and digital, using double exposures and motion blur to layer the body within natural landscapes until figure and earth begin to merge. The blur shifts attention away from how the body looks and toward how it feels. My paintings carry the same sensibility, moving toward softness, rhythm, and the forms of the natural world.
Movement and sound are central to how I make and share this work. As a Contact Improvisation dancer, I approach the body as a source of knowledge rather than an image to be perfected. I also create nature-inspired medicine music. In my exhibitions, these practices come together: dance and live music unfold alongside the images, turning the viewing of art into a shared, embodied experience.
This work is not a rejection of technology. It is a reminder of an intelligence already present within us, one that existed long before the screen. Each piece, whether still image, painting, sound, or movement, is meant as an interruption to speed: a pause, a grounding, an invitation to return to what is tangible.
As my practice evolves, I will continue exploring how embodied living can coexist with digital advancement, deepening the conversation between the human form and the cycles of the earth.
